infolio newsletter | 24 de diciembre de 2016  | Christmas Issue

Noticias sobre arte, diseño y educación

La cartera

Enrique Dans: El mundo académico y la disrupción: Elsevier frente al Open Access
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Technology Review: Los MOOC han muerto, larga vida a los microcursos para empleos tecnológicos
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Miriada X: Introducción al diseño de vídeojuegos
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Adobe: The Evolution of UX Education
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M | Andy McErlean: Developers Should Learn To Design
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Televisión

Technology Review: Las redes sociales se han vuelto una mala versión de la tele que nos impide pensar
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Smashing Magazine: Mistakes Developers Make When Learning Design
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M | JustInMind: A UX Designer’s 2017 New Year resolutions: interactive prototyping, UX courses and more!
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Adobe: The Best of Conversational UX in 2016
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August: Animating scenes with WebGL + Three.js.
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CB: 10 great uses of whitespace in web design
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sitepoint: Front End Tools: My Favorite Finds of 2016
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Web Design Dev: 20 Free jQuery Plugins for Front-End Developers
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ipad

CB: 15 best new pieces of tech for designers in 2016
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CSS Tricks: Scaling Responsive Animations
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Visme: How to Create an Interactive Map with Visme [New Feature]
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envato BLOG: Calendars on the Web: User Interface Design Trends & Live Examples
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specky boy: 5 Reasons Why UX Design is Not Cheap
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Vimeo: Westworld UI A Supercut
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facebook design: VR Resources
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Google: Web Fundamentals
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@mdo/table-grid
http://mdo.github.io/table-grid/

NN/g: Why Zen Mode Isn’t the Answer to Everything
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NN/g: UX Prototypes: Low Fidelity vs. High Fidelity
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W: Poll: Is VR the new Flash?
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Guias de estilo

24 Ways: Designing Imaginative Style Guides
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toptal: Taking IKEA Out of Its Box and Redesigning It for 1.6B Users
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CB: Revised editing tool promises to revolutionise font creation
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Typotheque: Eric Gill got it wrong; a re-evaluation of Gill Sans
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M | Igor Gubaidulin: Designing for Persuasion, Emotion and Trust
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Fast Co: Pentagram Redesigns The World (And Tests Your Geography Skills)
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W: Robert Rauschenberg for Designers
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Frankfurter Allgemeine Zeiturng: Zer gefürchtetste Art Director des Landes
Wie ein Scheibenwischer fuhr er durch die verdruckste Klein-klein-Ästhetik der Nachkriegszeit: Willy Fleckhaus war der mutigste Art Director der jungen Bundesrepublik. Wie er deren Optik prägte, zeigt eine Schau in Köln
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Gatech: Some papers by and about Horst Rittel
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The Atlantic: Can Posters still Change the World? by Steven Heller
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El País: “¡Mis obras no significan nada!”
Carl Andre abomina del arte actual por “mediocre” y rechaza las etiquetas
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Cameron

Infolio: Julia Margaret Cameron en Ceilán, Freshwater frente a Rathoongodde, por Eugenia Herbert (en castellano)
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Edinburgh College of Art, The University of Edinburgh
http://www.eca.ed.ac.uk/

Faculty of Regional Sciences, Tottori University
http://www.rs.tottori-u.ac.jp/english/gakkacenter/artcenter/

Ringling College of Art and Design, Sarasota, Florida
https://www.ringling.edu/

Konstfack University College of Arts, Crafts and Design. Stockholm
https://www.konstfack.se/

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